Following a blended efficiency earlier this week, Sotheby’s The Now and modern night auctions final night time in New York made a modest $96m ($112m with charges) from 35 tons. That fell beneath its $102.3m to $150m pre-sale estimate (all estimates are calculated with out charges).
Six tons have been withdrawn, whereas 5 went unsold, for a sell-through price of 87.5%.
The outcomes are a pointy drop from final yr’s equal gross sales, which introduced $261.5m ($305.7m with charges) from a bigger number of 64 tons. A Sotheby’s spokesperson notes that regardless of fewer tons this yr, the common worth per lot has risen to $3.1m from $2.3m final November, and that “notably, 70% of all works throughout the night gross sales are showing at public sale for the very first time”.
It was certainly a fresh-to-auction lot that commanded the lion’s share of final night time’s consideration: provided in The Now was the headline grabbing conceptual set up Comic (2019) by Maurizo Cattelan, which made a staggering $6.2m (with charges), promoting to the crypto billionaire and trophy hunter Justin Solar.
The banana supplied a vital vitality enhance to The Now, which in any other case struggled to match the frenzied tempo of previous iterations. Highlights from this part embrace the record-setting sale of Yu Nishimura’s intently cropped portrait Pause (2020), which hammered at $110,000 ($132,000 with charges) in opposition to a $70,000 excessive estimate. In the meantime, Richard Prince’s Nurse on Trial (2005), a graphic kitsch portray from his Nurse sequence, might have benefited from straight previous Cattelan’s banana, netting $6m ($6.7m) in opposition to a $5m to $7m estimate.
Within the modern sale, three works achieved eight-figure outcomes: De Kooning’s restrained composition Untitled XXV (1982) which made $10m ($10.9m with charges), inside its $9m to $12m estimate; Contranuities (1963) by the artist-favourite Stuart Davis, which attracted consideration however didn’t justify its assured and broad estimate of $12m to $18m, hammering for $10.5m ($12.1m with charges); and the night’s prime lot: Ed Ruscha’s Georges’ Flag (1999), which appeared to resonate with bidders following this month’s divisive US presidential election outcome.
Depicting the US flag in opposition to a fiery crimson sky, it shortly shot previous its $8m to $12m estimate and hammered for $13m ($13.8m with charges), going to a cellphone bidder by way of Sotheby’s head of up to date artwork, David Galperin. The work was final bought at public sale in 2005, at Christie’s New York for $1.4m.
It has been week for Ruscha—the earlier night time at Christie’s, he achieved a brand new public sale document when Customary Station, Ten-Cent Western Being Torn in Half (1964) bought for $59m ($68.2m with charges).
A second reference to American politics gave one other of the night’s strongest performances: a 1992 examine by Roy Lichtenstein for his huge 1993 portray of the Oval Workplace—one in all seven works by the artist provided on this sale–which attracted three potential consumers, together with one on-line. It sailed previous its $1m to $1.5m estimate to hammer at $3.5m ($4.1m with charges), going to a cellphone bidder by way of Sotheby’s Europe chairman, Helena Newman.
Maybe signalling that style has not completely departed the amassing class, Jeff Koons’s unabashedly attractive ceramic Girl in Tub (1988, est $10m-$15m), consigned from the Barbier-Mueller assortment, didn’t discover a purchaser.
Talking final week, the adviser Megan Fox Kelly famous that whereas the unsurety of the US presidential race little doubt subdued the quantity of high-value tons consigned to the November gross sales, the election’s outcomes are most likely too latest to correctly impression bidding this week. “Individuals are nonetheless ready to see how it will play out,” she advised The Artwork Newspaper. Nonetheless, she notes that sure collectors might be happy by a Trump win, ought to his promised tax breaks materialise subsequent yr.